EXHIBITION OF WORKS BY LUCAS RIBEYRON
The artist's works are to be unveiled beginning December 15, 2022.
Nov 14, 2022
Nov 14, 2022
Nov 14, 2022
Nov 14, 2022
Recipient of the Pierre Gautier-Delaye prize in 2018, Lucas Ribeyron was a resident of the Cité Internationale des Arts in 2019 and participated in numerous exhibitions, including 'Appareiller' at the Palais de Tokyo in 2017, '100% l’Expo' during the 'Festival 100%' at La Villette in 2019, as well as multiple events at Villa Belleville and Shakirail. In 2021, sponsored by Miquel Barceló, he was the joint second prize winner of the 24th Antoine Marin Painting Prize.
The fascination with the video surveillance control system and the relationship to the image it provokes are the essence of the artist's approach.
His relationship with the urban environment raises a multitude of questions. The space represented is thus at the boundary of two worlds where the distance to the city is played out: urban belt or city center, what are these silhouettes doing? Are they escaping? Are they having fun? From this ambivalence comes the tension.
He literally deceives the viewer about the very nature of the image to better question their passive relationship with screens, the surveillance technologies serving a panoptic organization of society, and the paradox between the hyper-accessibility of art reproductions via the internet and their degradation related to their dematerialization.
A look back in images at the opening of the exhibition, which took place on Thursday, December 15, 2022:
Recipient of the Pierre Gautier-Delaye prize in 2018, Lucas Ribeyron was a resident of the Cité Internationale des Arts in 2019 and participated in numerous exhibitions, including 'Appareiller' at the Palais de Tokyo in 2017, '100% l’Expo' during the 'Festival 100%' at La Villette in 2019, as well as multiple events at Villa Belleville and Shakirail. In 2021, sponsored by Miquel Barceló, he was the joint second prize winner of the 24th Antoine Marin Painting Prize.
The fascination with the video surveillance control system and the relationship to the image it provokes are the essence of the artist's approach.
His relationship with the urban environment raises a multitude of questions. The space represented is thus at the boundary of two worlds where the distance to the city is played out: urban belt or city center, what are these silhouettes doing? Are they escaping? Are they having fun? From this ambivalence comes the tension.
He literally deceives the viewer about the very nature of the image to better question their passive relationship with screens, the surveillance technologies serving a panoptic organization of society, and the paradox between the hyper-accessibility of art reproductions via the internet and their degradation related to their dematerialization.
A look back in images at the opening of the exhibition, which took place on Thursday, December 15, 2022:
Recipient of the Pierre Gautier-Delaye prize in 2018, Lucas Ribeyron was a resident of the Cité Internationale des Arts in 2019 and participated in numerous exhibitions, including 'Appareiller' at the Palais de Tokyo in 2017, '100% l’Expo' during the 'Festival 100%' at La Villette in 2019, as well as multiple events at Villa Belleville and Shakirail. In 2021, sponsored by Miquel Barceló, he was the joint second prize winner of the 24th Antoine Marin Painting Prize.
The fascination with the video surveillance control system and the relationship to the image it provokes are the essence of the artist's approach.
His relationship with the urban environment raises a multitude of questions. The space represented is thus at the boundary of two worlds where the distance to the city is played out: urban belt or city center, what are these silhouettes doing? Are they escaping? Are they having fun? From this ambivalence comes the tension.
He literally deceives the viewer about the very nature of the image to better question their passive relationship with screens, the surveillance technologies serving a panoptic organization of society, and the paradox between the hyper-accessibility of art reproductions via the internet and their degradation related to their dematerialization.
A look back in images at the opening of the exhibition, which took place on Thursday, December 15, 2022:
Exhibition to be found within the premises of the Champion Spirit Academy.
14 boulevard Raspail 75007 Paris
Exhibition to be found within the premises of the Champion Spirit Academy.
14 boulevard Raspail 75007 Paris
Exhibition to be found within the premises of the Champion Spirit Academy.
14 boulevard Raspail 75007 Paris
